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Then consider the anamorphic lens – that’s the key.Īnamorphic lenses have over time become a runaway favourite for everything from professional cinematographers to up-and-coming indie filmmakers. Think of a locked door, behind that door there’s the widescreen cinematic imagery we know from all our favourites blockbuster movies.

6 Tips when shooting with an Anamorphic lens.Using the anamorphic lens for photography.

#ANAMORPHIC PRO TORRENT HOW TO#

How to use the anamorphic lens: Tips and considerations.

If you're already familiar with the 'what's' and 'why's' go explore the best anamorphic lenses for camera or if you're looking for a more affordable solution check out our guide on best anamorphic lenses for your phone. Check this guide out before considering your next lens hire or camera hire! The anamorphic lens is a filmmaker favourite, mainly because of the look it brings to a shot. Spherical Lens: What are the differences? (Footage Comparison) However, when asking yourself 'How do I make this story look great on the screen?' that's where an anamorphic lens is pretty badass. As a creator, you're faced with tough choices when it comes to your masterpiece. Everything you need is in the After Effects CC project in the link below.Anamorphic lenses are an asset in any filmmaker's toolbox. I have also built a vignette layer into the project so you won’t have to download the CI Vignette plugin. Both presets are 16:9 to match most camera sensors. The updated VashiMorphic40 4K has both UHD (3840 x 2160) and 4K (4096 x 2304) compositions and a layer ready for your footage.

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UPDATE #2: VASHIMORPHIC40 4K for After Effects CCĪfter the great response to the original VashiMorphic40…the big request has been if I can create a 4K version of this free After Effects project. UPDATE #1: VashiMorphic40 for After Effects CS5.5 It is not for resale and I only ask that if you chose to repost this article…please give proper attribution to Please feel free to download the project and share this post. I hope it will find a home in your filmmaking arsenal and give you the opportunity to enhance your footage and help you tell your story. It is by no means perfect, but I spent a lot of time trying to find a way to duplicate the aesthetic of a filmmaking tool that I really love. It will however…for the very first time…give you a free and easy way to morph your normal DSLR or other 16:9 footage into a convincing and controllable simulation of the Anamorphic look. VashiMorphic will not replicate lens flares or the oblong out-of-focus areas like an actual Anamorphic lens. Render out footage to the codec of your choice. Default is 3 pixels with repeat edges on.ħ. Import your footage into the “Your Footage” layer of After Effects.ĭefault setting is 10% Opacity and 200 pixel feather.Ħ. Capture your footage in 16:9 format and frame for 2.35 during the shoot.Ĥ.

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Use a full frame camera with a 28mm or 35mm lens.ĪPS-C camera use a 20mm or 24mm. VashiMorphic40 applied to Canon 5DMKii / Nikon 28mm lensġ. I am proud to share with you my free After Effects Plugin Template… VashiMorphic40. It was the ONLY lens used on Roman Polanski’s Chinatown and used 95% of the time on Wes Anderson’s films Rushmore and The Life Aquatic with Steve Zissou. The Anamorphic lens that I chose as the holy grail to emulate is the Panavision Primo 40mm Anamorphic. This workflow has been optimized for cameras that capture 16:9 footage and for lenses between 28mm to 35mm (Full frame equivalent). If you drop your footage into the timeline…you will have access to 3 options that help you achieve the magical look without resorting to additional adaptors or lenses. Getting your hands on Anamorphic lenses is very difficult for the low budget filmmaker… so I created my own After Effects project template that replicates the look and feel of the Anamorphic format. VashiMorphic40 replicates the lens curvature of a 40mm Anamorphic lensįilms shot in the Anamorphic format include: Jaws, The Royal Tenenbaums, Raiders of the Lost Ark, Pulp Fiction, Die Hard, The Parallax View and countless others.